By Maalik Hawkins
Trinity Times Movie Reviewer

Opus, an A24 film directed and written by newcomer Mark Anthony Green, marks his feature debut. Approaching the film, I was curious about his artistic style, considering this is his first full-length project. 

Although marketed as a horror/musical, I found it leans more toward thriller elements, rather than fully embracing either genre. While there are a couple of musical numbers, including one unsettling scene, I could only recall two distinct songs. 

The horror aspects felt limited, and the film often seemed more focused on building tension and unease than traditional scares. There are moments of quirky comedy sprinkled throughout, offering brief relief from the tension.

The film stars Ayo Edebiri, known for her roles in The Bear and Bottoms, as journalist Ariel Ecton. Ecton is invited to cover an album listening party for 90s music legend Alfred Moretti, portrayed by John Malkovich, who returns to the spotlight after a 30-year absence. 

Moretti, claiming his new album is the greatest release of the century, generates excitement among fans, though attendance at the party is limited. Ecton, fortunate enough to be invited, quickly realizes the evening is far more ominous than she expected. The guests are subjected to eerie, unpredictable scenarios, orchestrated by the inhabitants of the secluded estate, known as the Levilist. As the evening unfolds, the tension grows, leaving viewers to question whether Ariel’s fears are mere paranoia or if something darker is at play.

Ayo Edebiri delivers a standout performance, further solidifying her status as one of the most promising talents of recent years. Her portrayal of Ariel is captivating, and her depth as an actress continues to impress. 

Malkovich, too, impresses with his portrayal of the eccentric and unpredictable celebrity Moretti, offering a refreshing departure from his usual roles. The film’s central concept, exploring the relationship between celebrities and their fans, is intriguing, questioning how the allure of fame can blur the lines between reality and obsession.

While the concept is thought-provoking, the execution falters. The film touches on fascinating ideas about celebrity culture but falls short in fully developing its premise. The narrative leaves many ideas unexplored, and Moretti’s vision remains unclear, which may have been intentional, but it ultimately feels unsatisfying. 

Additionally, some talented actors, like Amber Midthunder (known for Legion and Prey), are underutilized. Her character had ample screen time, but her role could have been written more effectively. Given her talent, it’s disappointing not to see her abilities fully tapped.

If you’re a fan of A24’s distinct style, Opus is worth a watch, but it’s one you could easily wait to stream at home. The film’s chaotic atmosphere and unsettling nature certainly make it a unique experience this March, even if it doesn’t quite live up to its potential.

Everyday Moviegoers – 6/10
Critics – 3.8/10
Cinemaphiles – 7.2/10

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Maalik Hawkins is a recent graduate of Trinity Washington University.